The short stories and essays that took the top prizes in our annual writing competition
Illustration by David Owens
The winners of the 2017 short story and essay contests are an impressive group. Both of the adult winners are in their 20s, and the high school short story winner was the 2016 essay contest winner. This year, 100 adults and 41 high school students entered the short story contest, and 116 adults and 47 high school students entered the essay contest. The writers who placed in the contests, which were sponsored by Bethesda Magazine and the Bethesda Urban Partnership, were awarded cash prizes ranging from $50 to $500 at the Bethesda Literary Festival in April.
Adult Short Story
- First Place, Sara Franklin-Gillette, “The Quarry”
- Second Place, Dini Duran Karasik, “Elsa & Segundo”
- Third Place, Marisa Fein, “China”
- Honorable Mention, Pallavi Chandra, “One Icy Morning”
- Honorable Mention, Amaly Gillig, “The Tenuous Spaces”
High School Short Story
- First Place, Jack Kiyonaga, “Gray Worlds”
- Second Place, Cindy Song, “Broken String”
- Third Place, Ben Friedman, “When a Man Loves”
- Honorable Mention, Dana Gurland, “The Hopeful Planet”
- Honorable Mention, Lee Schwartz, “Excerpts from a Journal—An Adolescent’s First Loss”
- Honorable Mention, Edith Stone, “Thorns”
- First Place, Stella Donovan, “Now Play”
- Second Place, Robbie Maakestad, “What to Do When Trapped in a Tiny Turkish Hotel Elevator While Studying Abroad”
- Third Place, Elliot Wilner, “Mourning FDR”
- Honorable Mention, Sarah Bigham, “The Right Fit”
- Honorable Mention, Tanya Edwards, “The Bracelet”
- Honorable Mention, Jessica North Macie, “Hometown Turtle”
High School Essay
- First Place, Nina Gautam, “Where Are You From?”
- Second Place, Kathleen Cho, “A Wordless Way”
- Third Place, Jordan DeVeaux, “Invisible Crown”
- Honorable Mention, Hannah Ashe, “The Voice From Arthès”
- Honorable Mention, Sophia Azimi, “Traveling the World in One Place”
- Honorable Mention, Katherine Byrnes, “Illegitimacy”
The Ride of Her Life
A Bethesda native, Darley Newman, puts her own twist on travel—and crafts an enviable career—as the horseback-riding host of the PBS series Equitrekking
By Julie Rasicot and Andrea Leitch
(page 3 of 4)
In 2004, Newman was writing travel and horseback riding articles, and riding in her free time, when she got the idea for a website that would provide information about travel on horseback. “No one else was doing it,” she says.
Soon after, she and Ward were posting video of a trip to Ireland and trail rides. Then the couple was mentioned in a Business Week blog “for being innovators in online video,” Newman says, “so we knew we were doing something right.”
Married in 2005, she and Ward decided to try producing a travel show, and approached the Horse TV network. “I had the idea that I’d love to travel the world and ride horses,” Newman says.
The network said it would air the show if the couple could line up advertisers and sponsors. Tourism Ireland signed up (it continues to sponsor the series today) and the pilot was filmed in that country. The episode aired on Horse TV—and Equitrekking was born.
Not long after, the couple decided to approach PBS about airing the show. They figured it would be a better fit because of the educational content—and the added exposure wouldn’t hurt. A PBS station in New Mexico agreed to run an episode if the couple found sponsors. “It’s kind of on us as independent producers to do everything,” Newman says.
After that episode ran, Newman traveled to Washington, D.C., to meet with Gronski, a college friend, at television station WETA.
Gronski was struck by Newman’s ease before the camera. “The crew works to build a natural atmosphere for the on-camera guests so they can forget about the cameras and lights and the fact that everything they say is being recorded,” he says. Newman was able to get guests to “just talk, as if they were among friends.”
Since the show’s PBS debut, Equitrekking has picked up additional sponsors and filmed 33 episodes in 33 different locales. It will air two new episodes this spring on Africa.
Each hour-long episode requires extensive research and planning. Newman says locations are chosen based on where she wants to go and what would make a good story. Once on location, the crew usually visits three or four places in a country, filming for five to seven days.
For a recent trip to Botswana, they had to hire helicopters and boats to film Newman on horseback. They’ll use Jeeps at some locations, or Ward and Barna will film while riding along with Newman.
“When we’re all riding, that’s the hardest thing to do…as far as filming,” she says. Ward and Barna sometimes ride ahead and set up for filming, then hope “the walkie-talkies’ frequency is working as they tell us what to do and where to go,” Newman says.
The crew shoots in high definition and downloads to a hard drive while in the field, which can be difficult in remote locations. Sometimes, the crew has to rely on a generator. “Electricity has been a huge issue for us,” Newman says. “Lots of times, there is none.”
Newman says people ask if she and the crew bring their own horses when they travel. They don’t, because different horses handle different terrain, and “the breeds are kind of a showcase for the land and the history and the people, and how history has developed in the country,” Newman says.
She has learned to adjust to unfamiliar horses and asks the owner about any quirks the animal might have. And if she’s uncomfortable with a particular horse, she asks for another.
That’s what she did in Turkey, when a man wanted her to ride his prize stallion. She said no because she sensed the horse would want to run.
“You don’t always get the perfect horse. Different horses have different personalities,” she says. “The horse I ride and the horse the guest rides—they need to get along.”