Ellen Goodman Essay


The little differences

Ellen Goodman is a retired journalist who has written two amazing articles.Those articles are A Celebration of the Emotions and Nine-Year Olds, Meet Monet.Each of these articles have different topics, the only similarity at first glance wouldbe the author. That similarity can be quite important and when going through the

pieces the writing style and tone sounds familiar. That is the imprint writers’ leave

on their work, their own personal touch or style that can be seen throughout all of their work.The similarities between the two columns are noticeable due to the Goodmanimprint. Those similarities are in the tone of writing, which is irony. Both of thesecolumns display ironic situations. In Nine-Year Old Meets Monet, the irony is that children who are taught to conform and adhere to the unspoken rules of society aregoing to see a non-conformists work. Monet was a free spirit and that is exactly

what these kids aren’t.

The piece describes the socialization of children at a youngage and how it is ironic t 

hat while they are taught not to be selfish it’s the selfishpeople that usually produce the greats works of art the world admires. “We train

selfishness out of them. Yet, ironically, some of who resist, like the artists, may endup giving the most to others. The product of the most egotistical self-expression may

become a generous gift available on the museum wall or the library shelf”(

last paragraph page two) A Celebration of the Emotions also has a very ironic tonedespite being a persuasive essay. This irony stems from the fact that while peoplewho choose have children later in life do so with a rational mind, they make rationaldecisions and the irony is that there is nothing rational about having a child. While A

Analysis of Rhetorical Strategies in "The Company Man" Essays

1009 WordsMar 27th, 20135 Pages

Analysis of Rhetorical Strategies in “The Company Man”

In “The Company Man” by Ellen Goodman, throughout the passage Goodman illustrates her feelings of distaste and anger toward Phil, as he in her mind represents Corporate America: routine, indifferent, almost robotic. Goodman uses numerous rhetorical strategies to convey her attitude toward Phil, including tone, repetition, the use of statistics, sarcasm, anecdotes, differing syntax, and irony. From the beginning, Goodman creates a very impersonal tone, letting characters remain nameless and unimportant, identifying them primarily by their age – “Phil, fifty-one years old…Helen, forty-eight years old…”. This mirrors the corporate mindset that everyone has an expiration…show more content…

Moreover, Phil’s youngest son said about his father, “My father and I only board here.”. This further conveys the amount of time Phil spent at the office rather than at home; his own family didn’t even consider him in permanent residence at his own home. Other than anecdotes, Goodman additionally uses varying syntax to illustrate her annoyance at Phil’s choice of lifestyle. When describing Phil’s daily routine, her sentences are short, definitive, showing her distaste for Phil. “To Phil, it was work. He always ate egg salad sandwiches at his desk….On Saturdays, Phil wore a sports jacket to the office instead of a suit, because it was the weekend.” Goodman contrastingly uses lengthy, detailed sentences and phrases when describing Phil’s family, to convey her pity for them and show that Phil should have been spending more time at home rather than at work. “The youngest is twenty, a boy, a high school graduate who has spent the last couple of years, like a lot of his friends, doing enough odd jobs to stay in grass and food. He was the one who tried to grab at his father, and tried to mean enough to him to keep the man at home.” Although Goodman describes Phil’s family with sympathy and care, she does use sarcasm as a means to criticize the obituary’s description of the family. “She would be ‘well taken care of’.’”, Goodman quotes from the obituary, in reference to Phil’s wife, and she says “His ‘dearly beloved’ eldest of the ‘dearly beloved’

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